Monday, October 5, 2026

CHHINAL

Chhinal: a woman who snatches a man who belongs to another woman, in order to satisfy her thirst, her ego or her conviction.

A cell phone is a great invention. It serves many purposes of communication, including petrification.

Her phone beeped.

It could have been a telemarketing message, so it didn't appeal to her much. Besides, she already had a date tonight.

She was getting into her attire. A revealing outfit would do. Some lipstick along with it, and her date would go perfectly, perhaps with the promise of another date.

She was a smart girl.

Her phone beeped again.

This time it caught her freaked-out attention.

The text: Why am I an egotistic bastard?

It was the least expected message from the least expected person.

The reply: Because you are an egotistic bastard.

The text: What are your plans tonight?

The reply: Nothing much.

The text: Wanna go to TC? I am in Delhi. Just landed back today in India

She stared at the screen.

The reply: Where is your girlfriend?

There was a pause.

The text: She left for home on Wednesday. And anyways she is not my girlfriend. You don't have to pass that jibe at me regularly

And there it was.

Alice had left Wonderland.

The reply: Okay... pick me up at 9 from Hauz Khas Metro

The text: ok

Jill looked at herself in the mirror. The 2011 winters were harsh 

Then she messaged her pre-existing date.

Got some trouble in hostel... can't see you tonight... will catch you next weekend.

Another man disappeared from the evening.

Just like that.

The History

Once upon a time, there was a guy who was her friend with benefits. Or to be honest, she used to madly love him but always knew that he would never be hers. But she hoped and kept him warm and would answer him on a whim whenever he needed her. He left India and would call her whenever he would come back and she would go running to him. She didn't know what she was getting out of this but they were 'friends'

Close and caring friends, indeed.

The guy was Jack and she was Jill.

They played quite often until one day Jill called Jack and Jack told her that he was in a live-in relationship with Alice.

So Jill said:

“Congrats and best of luck.”

The next day she bought a dagger.

She decided that someday she would gift it to Alice.

Jack went back and he went bad

He forgot Jill.

Jill hated Jack for forgetting her.

She found Jack online every day on Gtalk, but Jack never pinged.

Never cared for Jill.

The green dot remained there.

Green.

Green.

Green.

The fucking green dot.

So one day she explored the idea of expressing her anger.

you are an egotistic bastard

Jack didn't reply.

Jill could see the green dot constantly, proof that Jack was online, but an hour passed and he still didn't reply.

Jill signed off.

She opened the cupboard and took out the dagger.

Dust had begun covering its sharpness.

She cleaned it carefully.

Because one day she had to gift it to Alice.

TONIGHT

Jack texted her almost 1 month after that message

She avoided the skimpily clad outfit.

Instead, she wore a top with a netted back and trousers that were tight both to wear and to take off.

She wandered through the shades of lipstick she owned and finally concluded:

No lipstick at all.

She took out the dagger again.

Polished it.

And, almost playfully, tested its sharpness against her hand.

A thin line appeared.

Blood.

And she remembered the ironic words of one of her favourite songs:

And you bleed just to know you're alive.

Jack had once sung that song to her.

Right into her ears.

She had heard his voice with his heartbeat underneath it, the two sounds somehow finding the same rhythm.

She could still feel it in her nerves.

Today she knew Jack would never sing it to her again.

She put the dagger away.

Then she took the Metro to Hauz Khas.


Jack was late.

Like always.

When he finally arrived, Jill was standing on the other side of the street.

Jack saw Jill.

Jill saw Jack.

For one ridiculous second she wanted to run away.

But today was the day she was supposed to deliver the dagger.

So she stood there.

Indifferent.

Or performing indifference.

Jack helped her cross the wide street, and then they got into the car.

She didn't feel like looking at Jack.

Instead she discovered Humpty and Dumpty sitting in front.

“Jill... this is Humpty and Dumpty. My friends.”

The mandatory nice-meeting-you conversation followed.

Then Jack took out his BlackBerry.

Alice.

Alice was on the screen. She had dropped a text.

White.

Slim.

Definitely somewhere in Wonderland.

Jack didn't respond

Jill knew that one day Jack would become a permanent part of that Wonderland too.

And then he would baffle her completely.

But before one day there was today.

And today Jack was in not in love.

Humpty and Dumpty sat happily in front while Jill tried to break the ice by talking about stupid serious affairs in which she had neither interest nor empathy.

“So... you and Alice are serious?”

Jack roared with all the confidence of a lion:

“Stop fucking around. You know me and her have gone down the drain so many times. I wish it was not like this but it is.”

“Outstanding.”

A Jillian smile.

How fake can a smile be?

Dumpty was a nice guy.

A decent one.

Humpty wasn't that decent.

So Jill used him.

The four idiots finally reached TC.

TC was a sexy place because it gathered a sexy crowd. It allowed people to smoke wherever they liked, and it played rock music—psychedelic, punk, classic, rock and roll, blues.

It did not play Justin Bieber or Taylor Swift.

Therefore, it was a sexy place.

Between the parking lot and the pub, Jill asked Jack:

“How do I look?”

Jack was a friend.

Jack answered honestly.

“Your look bigger.”

Another smile.

So many fucking smiles tonight.


Inside the pub, between glasses and beer bottles, through noise and a smoke-drenched floor, Jack and Jill stood amidst awkward sensibilities and a lost friendship.

And whatever else had once been attached to that friendship.

Jill used Humpty.

Humpty went crazy and horny.

She could glimpse his hope of getting laid tonight.

So she stopped using him.

Then she used a German.

The German asked for her number.

She gave it to him.

And immediately thought of Jack.

Jack was patrolling the pub.

She couldn't dance with him like old times.

Every sentence she uttered—to Jack or anybody else—had the same epigraph and the same epilogue.

Alice and the BlackBerry

Whenever Jack was around, she could see a throatless magician.

The magician drank mercury from a beer bottle.

Every time Jack touched her, a little mercury spilled onto her skin.

And every time it touched her, her skin became transparent.

She wondered whether Jack could see through it.

Whether he could see everything she was desperately trying to hide.

After midnight, the four idiots found somewhere to crash.

They sat with cigarettes.

Jill kept staring at Jack's legs.

Ugly legs.

Legs made for playing football and walking away from women.

Then she felt heat against her knee.

For once, there was no metaphor.

Ash.

Burning her.

Jack brushed it away.

Carefully.

Like Captain America arriving several movies too late.

This time she saw the Red Queen.

Snow fell over her skin.


Humpty and Dumpty eventually disappeared somewhere.

And Jack and Jill were alone.

Not entirely alone.

Alice was there.

She existed inside the BlackBerry.

Inside Jack's sentences.

Inside Jill's head.

Perhaps Alice was the third person in every room Jack and Jill entered that night.

Jack looked at her.

Jill looked at Jack.

Neither spoke.

They had become extraordinarily good at these uncomfortable silences.

They shared a cigarette.

Nothing else.

Not yet.

Then Jill said:

“Come with me.”

“Where?”

“My hostel.”

He looked at her.

She knew exactly what he was thinking.

“A girls’ hostel?”

“No, Jack. A maximum-security prison.”

He laughed.

“Can I even enter?”

“That is your problem.”

And perhaps it was.

Or perhaps Jill had decided that tonight all problems belonged to somebody else.


By the time they reached the hostel, the night had acquired that peculiar quality Delhi sometimes gets after midnight.

The city was still awake, but it seemed to be awake illegally.

Jack followed her.

Jill could sense his disbelief even without looking at him.

This was not supposed to happen.

Men like Jack were supposed to imagine girls' hostels as mysterious places full of perfume, satin sheets and women walking around in various stages of undress.

Jill almost wanted to warn him.

Reality was considerably less erotic.

She opened the door.

The room smelled of new paint.

The shades were turquoise.

The air was thick with the cheap stench of marijuana mixed with Classic Milds.

But there was electricity too.

A sexual tension that had travelled all the way from TC and entered the room before either of them.

Jill poured herself a drink.

Her usual monstrosity.

Vodka.

Rum.

Then Coke.

Jack stared at the glass.

“What the fuck is that?”

“A drink.”

“You've mixed vodka and rum.”

“Yes.”

“And Coke.”

“Excellent observational skills.”

“That is disgusting.”

She took a sip.

“So am I.”

He stopped smiling.

For half a second, she regretted saying it.

Then Jim Morrison rescued her.

His poster stared down from the wall, looking completely out of place.

Jim had spent decades being dead and still somehow looked more alive than either of them.

Jill looked around her room as though seeing it through Jack's eyes for the first time.

The newly painted walls were whitewashed with a tint of blue.

A plywood cupboard.

A bed.

One chair.

Lipsticks.

Hair clips.

Clothes.

Underwear.

Tampons.

Unwashed laundry.

The room resembled a cheap Midwestern motel that had somehow been transported to Delhi and populated by a woman.

Jack looked around.

Jill watched him looking.

She suddenly became conscious of everything.

The clothes.

The smell.

The bed.

Her body.

Alice.

Especially Alice.

“You imagined something else?” she asked.

“What?”

“A girls' hostel.”

“No.”

“Liar.”

He smiled.

She lit a Classic Mild.

Jim Morrison continued staring at them.

Maybe Jim knew.

This is the end, beautiful friend.

She almost laughed.

Of course it was.

There could not have been a more appropriate fucking soundtrack.


They talked.

Or pretended to.

Music was safer.

Jim Morrison.

Pink Floyd.

Guns N' Roses.

Radiohead.

The bands people use when saying what they actually feel would be too embarrassing.

Jack picked through her collection.

Jill watched his fingers.

She remembered those fingers.

That was the problem with friends with benefits.

The body has memory.

It is considerably less disciplined than the brain.

Alice remained somewhere between them.

Invisible.

Omnipresent.

Jill hated her.

Jill didn't know her.

Perhaps that made hating her easier.

She wondered whether Alice knew what Jack was doing tonight.

Probably not.

Then Jill wondered whether that made her the villain.

The dagger suddenly felt very heavy despite being hidden away.

Jack sat beside her.

Their shoulders touched.

Neither moved.

The room seemed smaller.

The marijuana.

Classic Milds.

Vodka.

Rum.

Coke.

Jim Morrison.

Jack.

Jill.

Alice.

Everybody was in the room now.

“Why did you message me?” Jill asked.

Jack shrugged.

“Felt like it.”

That hurt more than it should have.

She wanted something dramatic.

I missed you.

I couldn't stop thinking about you.

Alice isn't you.

Instead:

Felt like it.

That was Jack.

And perhaps that was why she loved him.

Because Jack never promised her the story she kept writing for him.

She wrote it anyway.


The light went off.

Darkness was easier.

Faces became less important.

So did relationships.

Jack touched her.

Jill closed her eyes.

There it was again.

Pearls flew out of her womanhood

Only this time she allowed it to spill. Spill all over herself. All over Jack

She kissed him.

The kiss melted whatever remained of the distance between them.

There was desperation in it, but Jill knew that the desperation belonged mostly to her.

For Jack this was desire.

For Jill it was evidence.

That was the tragedy.

She wanted every touch to prove something it had never promised to prove.

They disappeared into each other for a while, into the darkness, into an old familiarity neither had really forgotten.

And Jill allowed herself the luxury of pretending.

Pretending Alice didn't exist.

Pretending tomorrow didn't exist.

Pretending Jack had come because somewhere underneath everything he had missed her exactly as much as she had missed him.

For a little while, the lie was beautiful.

Afterwards she curled herself against him.

Jack's breathing became slower.

Jill remained awake.

She could feel his heartbeat.

And suddenly she remembered the song again.

And you bleed just to know you're alive.

Once he had sung it into her ear.

Tonight there was no song.

Only the heartbeat.

It belonged to him.

That was perhaps the cruelest thing about bodies.

You could hold one against yourself and still own absolutely none of it.


Jill looked towards the BlackBerry.

Alice.

Wonderland.

The Red Queen had returned.


Chinnar.

A woman who snatches a man belonging to another woman to satisfy her thirst, her ego or her conviction.

Jill looked at Jack sleeping beside her.

Had she snatched him?

No.

That was the funny part.

Jack was going back.

Alice would wake up somewhere in Wonderland and Jack would still belong to her.

Jill had stolen nothing.

Except a night.

Perhaps a few hours.

Maybe that was all a chinnar ever really stole.

Time.

She reached towards the cupboard.

The dagger was there.

Still waiting for Alice.

Jill took it out and looked at it.

Then at Jack.

Then at the BlackBerry.

For the first time she wondered whether Alice deserved the dagger at all.

Alice hadn't done anything.

Alice hadn't made Jack come here.

Alice hadn't invited him into this bed.

Alice hadn't forced Jill to cancel another date.

Alice wasn't responsible for the green dot on Gtalk.

Or the unanswered messages.

Or the songs Jill remembered.

Or the fact that Jack could touch her without loving her and Jill could love him without being able to stop him touching her.

Perhaps she had spent too long sharpening the dagger for the wrong person.

She placed it underneath Jack's pillow anyway.

Not because she wanted him to give it to Alice anymore.

It had become symbolic.

A gift from Jill to herself.

A reminder that every beautiful thing tonight had an edge.

She curled back into Jack's arm.

For a few seconds she travelled backwards into her childhood.

The crying woman.

The husband.

The unknown mistress.

Chinnar.

Jill smiled.

Then she looked at the BlackBerry.

Alice smiled back from Wonderland.

Jill smiled again.

Jim Morrison watched from the wall.

Jack slept.

And Jill finally understood the joke.

She had spent the entire night trying to steal a man who had never belonged to her.

And the only thing she had actually managed to steal—

was herself.

Gurgaon Noir - The Escape

Gurgaon.

Humanity crawls in this city.

It’s ten at night, and I am standing on a bridge over a busy intersection. Beneath me, thousands scurry to and fro—some going to work at the midnight hour, some returning home after slaving their souls for a pittance.

I look upon them and laugh.

The dust of the city enters through their noses and mouths and chokes them. Standing on top of the flyover, I take a deep breath and inhale a heady petrochemical cocktail.

I punish my lungs further by lighting up a cigarette.

Gurgaon.

The city hates me, and I hate her.

I have a sudden urge to throw myself over the bridge, but something inside me resists. It is the fear of dying all at once, temporarily winning over my daily demise—at my workplace, at my house, in my sleep, in my consciousness.

Maybe the excess alcohol has started showing its grip on me. It has been my sole companion, helping me survive the city.

I try to start my bike, but it won’t let me ride it. It shows its hatred towards me, like the city itself.

Somehow, I manage to chide it into taking me back home.

I get a nasty feeling as I enter.

I don’t wanna go inside.

The house haunts me. It belongs to this city. It won’t let me in.

Far north, the bridge is scarcely visible.

Inviting me to jump again.


I take my friend Peter Scott out of the cupboard and pour a double for myself.

There is much that I want to forget, and a lot that I want to remember again.

I quickly gulp the first peg, feeling a slight shudder as the drink slithers down my throat, leaving my taste buds tingling. I pour myself a second peg, which I plan to nurse for an hour or so. I fill the glass to the brim with ice cubes, light a cigarette and sit down in front of the TV to watch the newsreaders in their fake animation.

It is precisely ten o’clock when I hear the scream.

I’m not very fond of my nosy neighbours, but there’s something about screams that you can’t resist.

Half-conscious, half-awake, I linger towards the front door.

Nothing.

Had it been my imagination?

Had my friend Peter done me in?

I try not to think about being drunk. I convince myself that I am sane, that I have been in my senses all along.

I remember everything from the bridge to the house.

I remember the BMWs I passed on my way. I remember the curvy girls tagging along with some masked gentlemen.

They were all masked, and they were all alike.

Institutionalized.

They resembled me, except for the fact that they had female luck on their side.

I remember everything.

So I could not have been hallucinating.

There had been a scream.

And it had been a feminine one.

Then the peg in my hand calls my name.

Man! You oughtta be having me rather than your phantasmagorical hallucinations.

A warm breeze greets me as I open the door. I silently sip from my glass and look around, trying to locate where the scream came from.

The by-lane on which my small flat is located is empty.

Only the dust—the ubiquitous dust of Gurgaon—dances a macabre dance on the street.

I take a few steps outside and then attribute the sound to the drink fucking around with my head.

I have a sudden impulse to throw away the contents of my glass and watch them getting soaked up by the insatiable thirst of the ground beneath my feet.

I fight the impulse.

A chronic drunkard’s rule:

Never throw away good whisky.

I turn back, sit down and raise the volume of the TV to drown out the sounds inside my head.

It is my daily routine to fall asleep on the couch, wake up around 3 a.m., drag myself to bed, set an alarm for nine in the morning, and go to the office an hour later while plotting ways to physically hurt my boss.

Tonight, I am not given the privilege of an unbroken sleep till three.

An hour past midnight, I am awakened by a loud thumping on my door.

I try to ignore it until the thumping becomes pounding.

With a “Motherfucker” on my lips, I open the door.

Two masked men are standing there.

“Who are you and what do you want?” I ask irritably.

The masked men eye me silently.

Then they start pushing me inside the house.

“Madarchod! What is the meaning of this?”

I try to push them away, but one of them whips out a pistol.

“Search the house,” he tells his accomplice. “I am holding this bastard down.”

It takes the other guy no more than a couple of minutes to search my small place. He comes back and motions with his head that he has not found what he is looking for.

They slowly back out of my house with the gun still pointed at my head.

One of them puts a finger to his lips and draws his other arm across his neck.

I understand.

Not a word to anyone.

Or I am dead.

After they leave, I realise I am shaking like hell.

I quickly light a cigarette and puff away nervously, trying to calm myself.

I am on my third cigarette when I hear another knock on the door.

I think my friends have come back.

This time the thumping is small and measured, but that doesn’t necessarily mean whoever is outside doesn’t mean business.

I have a metal rod lying under my bed which I bought to hang a curtain but never really got around to using.

I grab the rod, hold it ready to strike and open the door.

A strikingly pretty girl is standing in front of me.

Long hair.

Dark skin.

A short T-shirt and denim hot pants.

She is sweating heavily and seems to be under severe duress.

“Save me,” she whispers.

And collapses into my arms.

She looks like the girl of my dreams.

She is going to prove to be a nightmare.


I wake up with a start, almost unaware of my surroundings.

It had been a bad nightmare.

One that was going to haunt me for some time.

I try to yawn, but my whole body is aching. I don’t remember when I passed out during the night.

Everything that happened was in my head.

It had to be.

I look at my watch.

11:00.

I am screwed.

I put my pants on and almost stumble over a body lying on my floor.

Damn!

It is the girl from my nightmare.

She is real.

Everything that happened inside my head was real.

Those two masked avengers.

The girl.

Everything.

But somehow I am unable to focus on the sequence of events from the night.

Panic gets the better of me.

I check the girl’s pulse.

She is alive.

All I can clearly remember is her entering my house and saying:

“Save me.”

It all feels like a script from Hitchcock’s diary.

Like some incomplete saga from the noir of Miller and Moore.

It simply cannot be real.

I shake the girl and she wakes like a corpse rising from a grave.

Her eyes are swollen. Maybe she has been sobbing all night.

Even in dire straits, she looks pretty.

And I have this stupid feeling that had she met me under different circumstances, we might have ended up making love.

But life always has the last laugh.

I curse myself for thinking about sex under such circumstances, a misery compounded by the fact that despite all my efforts, I have somehow remained a virgin.

That fact haunts me like my city.

My house.

My bike.

Thinking about my sexual state, I laugh a hollow laugh.

It is difficult to push sex completely out of my mind.

Her short T-shirt barely covers her chest, which rises and falls with every breath. It is a big distraction.

She has a flat stomach and a very cute belly button. Her legs, like the rest of her skin, are the colour of wild honey.

Then I notice scratches on them.

It looks like she has been involved in some kind of scuffle.

Perhaps she is the “thing” those masked men had been searching for.

“Do you smoke?”

I offer her my already-lit cigarette.

She nods lightly and reaches for it with trembling hands.

She fumbles.

The cigarette falls.

I can see tears forming at the corners of her eyes.

I gently place her head on my lap and hold the cigarette to her lips.

She takes a deep drag and exhales.

Her breathing becomes regular.

“Tell me,” I ask. “What happened?”

“They... they...”

“They what?”

“They... wanted to...”

She closes her eyes and begins crying.

I gently lower her head onto a pillow and drag a stool over to sit beside her.

She is in no condition to talk.

What worries me more is that the masked men might come looking for her again.

“Look, there are some people looking for you, right?”

She nods gingerly.

“They came here, and chances are they might come again. I’m going to hide you in this room.”

She sits upright with a jolt.

“What!”

“Don’t worry. You don’t need to be afraid of me. I’m going to lock the room from outside. You stay here and rest.”

It takes me a long, long time to convince her.

Eventually, I lock the room she is in and wait for my masked friends to show up again.

I keep the metal rod handy beside the door, switch on the TV and make myself another drink.

What the hell have I gotten myself into?

“Shit.”

I have just dropped the last cigarette I have on me.

Two, actually.

The other was smoked by the girl of my dreams.

Who is she?

Why did we have to meet under these circumstances?

And then I wonder whether, from all the scum this city has thrown at me, it has finally sent one gem my way.

Now comes decision time.

The nicotine in my blood is running low.

My fear of the Masked Bros. is hitting a new high.

Should I wait here until I go insane, or go downstairs and get myself some magic sticks to calm me down?

Calm, boy.

It’s just in your head.

It isn’t helping.

The need for a drag increases with every passing moment.

And almost an hour later, the Masked Bros. show up.

The loud banging on the door is enough to make my balls drop off.

I know I have no choice but to open the fucking door.

I recognise both of them from my last encounter—the masks hide their faces, but not their accents or their movements.

“Motherfucker! You have no idea what you’re playing at. Surrender the girl!”

I feel like succumbing to them.

Somehow, I manage to retain my composure.

“I have no idea what you are talking about, SIR.”

I don’t know why I call them sir.

Maybe because their accents remind me of my boss, who could easily match the brutality of these guys.

And the devil is always waiting around when you want him the least.

The phone on my table starts vibrating like mad.

Both men instantly become alert.

“If you say a word, it will be the last thing you ever do.”

It is my boss.

“I have to pick it up,” I say. “Or I’ll get fired.”

“Ha ha! If you pick it up, then this gun will fire!”

The two masked idiots laugh at their silly joke.

The phone stops ringing after a minute.

The guy without the gun walks over and fingers the lock on the bedroom door.

“This room wasn’t locked when we came here last night. Open it.”

“I don’t have the key. It’s my flatmate’s room. He came back, locked it and left.”

They seem satisfied with my answer.

“Listen, you motherfucker,” the gunman says. “There is this girl we are looking for. If you have any news of her and you are not telling us, we will fucking kill you. We are giving you an hour. We will come back. Don’t try to leave the house, because we will know. We will find you and give you a very sour death.”

After some random inspection, during which they tip over my coffee table and fling the cushions off my couch, they finally prepare to leave.

As soon as they walk out of the door, I take the metal rod in my hand and hide it behind my back.

“Wait!” I yell after them. “I’ve got something to show you.”

They casually walk back towards me, expecting nothing dangerous.

“What?”

I swing the metal rod and catch one of them across the nose.

“This, you son of a bitch!”

The first one goes down while the other reaches for his gun.

I strike his hand before he can pull it out.

After that, something takes over.

I keep hitting them alternately until both are on the floor, cowering beneath the blows.

I bend down, take the gun and scream:

“Saale madarchod! You think you can come into my house and threaten me? This is my house! My fucking house!”

I don’t know what possesses me.

I keep hitting them until there is blood.

Until they stop fighting back.

Until they are unconscious.


I am still shaking at what I have done.

Something inside my head has taken over.

I am not myself anymore.

I briefly reconsider my chances of having gone insane, which seem fairly high considering the two bleeding, almost-corpse-like avengers lying outside my door.

It feels like years ago that I was sitting on this same couch watching Wayne Rooney strike terror into City’s defence, almost on the verge of passing out from an overdose of alcohol.

My mind isn’t working at all.

Or maybe it is.

I decide to call my boss back.

One ring.

Two.

Three.

Six.

Seven.

HE won’t pick up now.

The bastard only calls when he wants to harass me.

Finally:

“Hello!!”

“Hello, sir! Sir, I’m pretty sick. Might not be able to come in today. I’m going to see a doctor in some time.”

“You could have informed me earlier, mate. This isn’t how you make a name in the industry. I guess you remember the stuff that needs to go to the client today.”

HE is scornful.

There is a natural hatred in his voice.

He belongs to the same species as the masked avengers. Maybe he is even more shrewd and deadly.

He certainly wouldn’t have fallen into my trap the way these two did.

“Sir! Had I been in a condition to inform you, I surely would have. You can hear that my voice is still shaky.”

“Anyway, bring a medical certificate when you come tomorrow. And I hope you are coming tomorrow. Enough of this business.”

I have a sudden urge to take the gun and kill my boss.

But even that would probably mean I was fired.

My ass has been on fire for as long as I can remember in that office, and somehow I still live with the additional threat of being fired every day.

The problem that started with a pretty girl banging on my door has now transformed into full-fledged mob shit, with two gunmen lying bloodied and unconscious at my doorstep.

The only thing that isn’t hurting my eyes is the blood.

I have never panicked at the sight of blood, which could probably be attributed to the thousands of chickens and lambs I have seen slaughtered for my food.

Still, it wouldn’t look very nice if the snobs around my house discovered that I had lately begun dealing with gangsters.

They might even attribute my new Volkswagen Polo to “other ways”.

I think about calling the police.

Then I try to imagine how I would explain anything that has happened in the last twenty-four hours.

Being drunk and doped up wouldn’t exactly strengthen my credibility.

And how the hell would I explain the girl?

I give up the idea.

Then I decide to tie the men up.

To my great horror, I can’t find a rope.

Not even a useful length of cloth.

Nothing.

As a safety measure—and based on my amazingly dumb decision-making—I hide the gun so that when they wake up, they cannot immediately shoot me.

Unable to find a rope, I consider shutting them in the same room as the girl.

Then reality comes crashing back.

These guys are searching for her.

They might gag her.

Hurt her.

Kill her.

So I ask the girl to come out and lock the two swollen-faced, bloodied gentlemen inside my so-called flatmate’s room.


Raha — Restricted Freedom

For the first time in this maddening rush of events, Raha and I get a chance to talk without the threat and intrusion of the world around us.

Raha.

At least now I know her name.

She looks dazed and unkempt, her clothes carrying the creases of sleep.

I find my thoughts wandering again, but jerk myself back to reality.

“Hey, do you want anything to eat? Let’s see what we have... scrambled eggs and Maggi.”

She smiles in acceptance.

It isn’t much of a choice, but my roommate and I regularly survive on this stuff.

To keep the conversation going, I start asking her those interview-type questions.

I guess my institutionalization has crept into my nonexistent personal life.

She politely answers without giving me much to continue with.

Another uncomfortable silence arrives.

This time I tell myself I will not succumb to my instincts of self-destruction.

So I begin with one of my favourite one-liners.

“Don’t you hate these uncomfortable silences?”

She gives a start.

“What?”

And that does it.

I don’t have the courage to repeat my killer line.

“Nothing! I was just wondering whether you’re a veggie or a carnivore.”

She giggles.

“Carnivore sounds like an animal. I’m not an animal, though I do eat flesh.”

And the giggle again.

The word flesh tries to carry me away into a world of love and pain—the game of love and pain—but I force myself to concentrate on the Maggi steaming in the saucepan.

I keep staring alternately at the saucepan and at her.

Seconds pass.

“Is that what you call an uncomfortable silence?”

I almost have the feeling that she winks at me.

I think of God.

And after that, nothing is easy.

I don’t know who starts it, but within moments we are kissing like two lost lovers.

And it isn’t the hollow kissing I have become so fond of during the course of my desperation to bed a girl.

I am a virgin.

That notion has haunted me since I moved to Gurgaon.

There is passion in her breath, but also vengeance—vengeance against time, perhaps, for not having been particularly kind to her lately.

I feel the hair at the back of my neck rising.

Maybe it is passion.

Maybe it is my inherent fear of making love—or even of getting close enough to do it.

Within moments, I am down to the bare minimum and she is stripping herself of her clothes.

Her body glows in the dim light of my room.

She looks like a goddess, and the smell of her skin is driving me mad.

Never before have I been this close to a woman covered in that mixture of sweat and scent.

And then she is naked.

It sends a shiver through me.

I can barely look at her directly.

This is the first time for me.

I may have watched a million porn flicks and done this a thousand times in my dreams, but suddenly I cannot make the next move.

Somehow, she senses it.

Now it is her game.

Her hands move over me, exploring me.

She desires me with her body and her senses.

It feels like being awakened from a dream.

She is all over me and still somehow playful.

My fear begins to disappear.

There is haste.

There is a moment of pain.

Then finally we are together, and for a while it feels as though two souls have somehow forgotten that they are separate.

Soon her breathing changes. Her body tightens around mine, sweat like pearls gathering across her skin, and when I finally let myself go, pleasure and panic seem to arrive together.

It is pleasure like I have never known.

Agony too.

But somehow, absurdly, it feels like love.

It has finally happened.

And suddenly I am overwhelmed by the sheer joy of love and life.

I feel like the character from Milan Kundera’s The Book of Laughter and Forgetting.

I want to shout:

“I’m Bobby Fischer! I’m Bobby Fischer!”

Like a grandmaster who has finally made the right moves at exactly the right time.


We lie there in each other’s arms, exhausted as though someone has made us run through a desert for hours.

She still looks like an angel.

For that brief moment, I can almost believe all the love in her heart is meant just for me.

We cuddle closer.

And then a burning smell creeps into the room.

The Maggi.

In our passionate spell of love, we have forgotten the fucking Maggi on the stove.

“This,” I announce dramatically while lighting another cigarette, “is what I call making the best Maggi of my life.”

I offer her the cigarette.

We share it in silence while the burnt Maggi stares accusingly at us.

We are hungry anyway, so we decide to finish it.

None of the plates is clean, so we eat straight from the pan. I place it on the coffee table with two forks.

As she eats, I can visibly see some strength returning to her.

After finishing, she lets out a long sigh and reclines on the bean bag.

“And now I think you deserve to know what I’m doing in your house in this state.”

“On the contrary, I’m quite used to half-naked girls turning up in the middle of the night while being chased by strange gun-toting gangsters.”

She laughs.

“I’m sorry... for bringing this load of trouble upon you.”

Then she grows serious.

“I don’t know where to start.”

“Start by telling me who those two madarchods locked in that room are. And why they were chasing you.”

“They are... they are just guards. I mean, the problem is much bigger than who they are. The person who is after me is very, very dangerous.”

Oh, great.

Just what I needed.

“So who is after you? And fucking why?”

“Have you heard of K. P. Yadav?”

My head reels.

K. P. Yadav is the biggest gangster-politician in Gurgaon. Notorious. There are loads of murder cases and God knows what else hanging over his head, but he remains untouched because of his political stronghold over the region.

“Is K. P. Yadav after you?”

“No.”

She looks at me.

“He is my father.”

The revelation is followed by a stretch of silence that slowly dies into the sound of wind hitting the windowpanes and surrendering.

I am stunned.

This is D-Day.

The moment of truth.

The realization spreads through me like a forest fire.

I have fucked the most dangerous girl in town.

“Why didn’t you tell me before? Damn! I am screwed. You’re K. P. Yadav’s daughter! He’s fucking going to kill me. He’ll call it an honour killing and no one will ever know I existed. Damn, he might even kill my family. He might kill everyone connected to me. He might even kill you because I made love to you. Fuck! No... what am I thinking?”

I am almost sobbing now.

Shrieking.

“So you ran away from home and he’s searching for you?”

“No. I ran away from rehab. My father sent those two sidekicks to abduct me and take me back home. I hated it there. They used to torture me. I was on the verge of breaking down. I would have killed myself if I hadn’t found this opportunity to escape.”

She looks directly into my eyes.

“You’ll keep me safe, won’t you?”

The innocence in her voice and the anguish in her eyes leave me without an answer.

If I keep her here, it will surely be curtains for me.

But somehow, I cannot let her go.

Two mobsters locked inside a room and a naked girl in my bed suddenly seem insignificant compared with this revelation.

I am completely confounded.

And then she kisses me.

It is more passionate than our love making.

Maybe she knows that the kiss is the only answer she can give me.

Maybe she knows that after telling me her father’s name, there are no sensible words left in the room.

K. P. Yadav.

The name sits between us like another person.

I gently push her away.

“Raha, listen to me. You cannot stay here.”

She looks at me without blinking.

“I have money.”

That is a lie.

“I mean, not a lot of money. But enough. I can arrange more. You can go somewhere. Bombay. Bangalore. Goa. Fuck, go to Chennai. Nobody voluntarily goes to Chennai; he’ll never find you there.”

She doesn’t laugh.

Bad sign.

“We can get you a ticket. Change your number. Don’t call anyone. Not your friends. Not your family. Not even me. I’ll give you my ATM card. I get my salary next week. Take whatever is there.”

She keeps looking at me.

“Raha, say something.”

“He will find me.”

“No, he won’t.”

“He will.”

“How?”

She smiles.

Not the smile of the girl who burnt Maggi while making love to a stranger.

It is the tired smile of somebody who has already tried every solution I am inventing.

“You think cities are big,” she says. “They are only big for people like you.”

“People like me?”

“People nobody is looking for.”

That hurts.

Maybe because it is true.

I light another cigarette.

“So what the fuck are you saying?”

“I’m saying I’m as good as dead wherever I go.”

She pauses.

“And now probably you are too.”

I look towards the closed bedroom door.

Two unconscious representatives of my newly acquired death sentence are lying inside.

My apartment suddenly looks very small.

“So that’s it?”

“What?”

“We sit here and wait for your father to kill us?”

“I didn’t ask you to save me.”

“Yes, you fucking did. Those were literally the first words you said to me.”

For the first time since mentioning her father, she laughs.

A tiny laugh.

But it is there.

“Okay,” she says. “I did.”

“Good. Then allow me to do my job.”

“And what exactly is your job?”

I think about it.

“My official job or this one?”

“Either.”

“I’m fairly useless at both.”

She laughs again.

And somehow, in a room containing two gangsters, one stolen gun, burnt Maggi, an empty bottle of Peter Scott and the daughter of the most dangerous man in Gurgaon, I feel strangely peaceful.

Maybe insanity does not announce itself.

Maybe it just arrives as peace.


We talk for hours.

Really talk.

Not the interview questions I had been asking her earlier. Not where she studied, what music she liked, or whether she was a carnivore.

She tells me about her father.

People call him Yadav Saab.

Men twice his age bend slightly when speaking to him. Policemen return his calls. Builders visit their house at night. Politicians visit through another gate.

There are always men outside.

Outside their house.

Outside her school.

Outside restaurants.

Outside her bedroom whenever her father decides she has become “difficult”.

She has tried running before.

Once.

They found her.

She doesn’t tell me what happened afterwards.

She doesn’t need to.

“Restricted freedom,” I say.

“What?”

“Raha. Your name means freedom, doesn’t it?”

She nods.

“Restricted Freedom. That’s you.”

She stares at me.

“And what are you?”

I take a drag.

“Unrestricted captivity.”

She smiles.

I don’t.

Because I have accidentally told the truth.

For years I have blamed Gurgaon.

My office.

My boss.

My flat.

My bike.

My loneliness.

The fucking dust.

I have every freedom in the world and have somehow constructed a prison out of all of it.

She has lived inside a prison constructed by somebody else.

Perhaps that is why we met.

Two prisoners.

Only the architects are different.


By evening, I have constructed the most pathetic escape plan in the history of mankind.

Some cash.

My ATM card.

A change of clothes.

And one important condition.

Once she leaves, she never contacts me again.

“No.”

“Yes.”

“How will I know you’re okay?”

“You won’t.”

“How will you know I’m okay?”

“I won’t.”

She stares at me.

“That’s stupid.”

“No. That’s the only intelligent thing I have done since you knocked on my door.”

Slowly, a thought begins forming.

Not exactly a plan.

More like an understanding.

The reason Yadav can find Raha is that Raha always leaves something behind.

A friend.

A telephone.

A destination.

A person who knows something.

This time there will be none.

Except me.

Nobody else has seen her here.

Nobody else knows what she has told me.

Nobody else will know what I am about to do.

The road from Raha to the rest of the world ends inside my head.

And suddenly that frightens me less than it should.


I give her everything I can.

Not enough to buy a new life.

But perhaps enough to buy distance.

She looks at the money and then at me.

“What will you do?”

“Get more.”

“With what?”

“My remarkable corporate career.”

“You hate your job.”

“I hate poverty more.”

She smiles.

Then she becomes serious.

“You should come.”

“I can’t.”

“Why?”

Because men know my face.

Because Yadav will look for me.

Because two disappearing people make a trail while one disappearing girl might eventually become a ghost.

But mostly because somebody has to remain behind.

I don’t tell her that.

Instead, I say:

“Because somebody has to go to the office tomorrow.”

“You’re an idiot.”

“Yes.”

She kisses me.

And this time we do not make love.

There are moments when nakedness would only make things less intimate.

We simply lie there.

Her head on my chest.

My fingers in her hair.

For the first time in years, I wish time would stop.

Usually, I have only wished it would move faster.


She leaves before dawn.

I watch her walk away from the window.

She never turns around.

I am glad.

Had she turned around, perhaps I would have followed her.

I stand there long after she disappears.

Then I go inside.

I remove every trace of her that I can find.

Not because I am brave.

Because I am terrified.

There is a difference.

Brave men expect to survive their courage.

Terrified men merely do what fear demands.

By sunrise, there is nothing in my flat that can tell anybody where Raha has gone.

There is only me.

And I know nothing.

That is the sentence I begin practising.

I know nothing.

I say it while brushing my teeth.

“I know nothing.”

While making coffee.

“I know nothing.”

While smoking.

“I know nothing.”

Eventually, I start laughing.

Maybe this is what madness looks like after all.


They come that evening.

Not two this time.

Many.

Nobody wears a mask.

There is no reason anymore.

The door opens before I can reach it.

And then I see him.

K. P. Yadav.

I had imagined somebody enormous.

He isn’t.

Power always looks larger from a distance.

He looks like somebody’s father.

That somehow makes him more frightening.

He sits on my couch without asking.

The same couch where I have passed out every night for months.

The same couch from which I have watched football.

The same couch beside which Raha slept.

He looks around the room.

Then at me.

“Where is she?”

“I don’t know.”

He nods to one of the men.

The first blow surprises me more than it hurts.

“Where is my daughter?”

“I don’t know.”

The second hurts more.

The third considerably more.

After that, I stop counting.


Pain is strange.

For years I have been frightened of it.

Emotional pain.

Physical pain.

Professional pain.

The pain of rejection.

The pain of loneliness.

The pain of waking up.

The pain of going to the office.

I have spent an extraordinary amount of my life arranging things so that pain remains slightly outside the door.

Now it is everywhere.

And somehow it isn’t frightening anymore.

“Where is she?”

“I don’t know.”

A kick.

“Where?”

“I don’t know.”

Another.

“You helped her.”

“I don’t know.”

“You fucked my daughter.”

That one makes me smile.

Wrong response.

Something crashes into my face.

The room disappears for a few seconds.

When it returns, Yadav is standing over me.

“Where is Raha?”

I look at him.

And suddenly I understand the beauty of the situation.

He needs me alive.

I need myself dead.

For the first time since meeting him, I have the advantage.

Not because I am stronger.

Not because I am cleverer.

Because there is something he desperately wants from me, and it exists nowhere except inside my head.

Every blow intended to bring him closer to Raha is actually taking her further away.

That thought makes the pain almost bearable.

Almost.


Hours may pass.

Or minutes.

Time has stopped being useful.

At some point I can no longer stand.

At some point I can no longer sit.

They keep asking.

I keep disappointing them.

Sometimes I scream.

Sometimes I beg them to stop.

I am not going to pretend I die bravely.

I am not brave.

I cry.

I curse.

I call them motherfuckers.

Once, I think I call for my mother.

And several times I almost tell them something simply so that the pain will stop.

But then there is a problem.

There is nothing to tell.

That is the brilliance of it.

I genuinely don’t know where Raha is anymore.

She left.

After that she belonged to the world.

Not to Yadav.

Not even to me.

Especially not to me.

She is Raha.

Freedom.


Eventually Yadav understands.

Not where she is.

He understands that I really cannot give her back to him.

His questions become fewer.

The blows become harder.

He is no longer interrogating me.

He is punishing me.

Strangely, that makes me happy.

Interrogation means hope.

Punishment means he has none left.

Raha is safe.

Or at least as safe as anyone can ever be.

I laugh.

Yadav stares at me.

“What are you laughing at?”

I want to explain.

But breathing is becoming difficult, and explaining has always been one of my weaker professional competencies.

So I simply say:

“Nothing.”

He hits me himself.


The room slowly begins losing its edges.

The men become shadows.

Yadav becomes a voice.

The ceiling moves farther away.

And then, strangely, Raha is sitting beside me.

Not the Raha who knocked on my door.

Not frightened.

Not sweating.

Not bruised.

She looks beautiful.

Clean hair.

Bare feet.

That ridiculous smile.

“You look terrible,” she says.

“You should see the other guy.”

“There is no other guy.”

“Then I look terrible.”

She smiles.

I know she isn’t there.

That doesn’t make her any less real.

“Where are you?” I ask.

“You tell me.”

“I don’t know.”

“Good.”

I smile.

The greatest answer of my life.

I don’t know.

“Are you safe?”

She doesn’t answer.

Instead, she reaches for the cigarette between my fingers.

There isn’t actually a cigarette between my fingers.

But she takes it anyway.

“You smoke too much,” she says.

“You’re beginning to sound like my doctor.”

“And you drink too much.”

“You’re beginning to sound like everybody.”

She laughs.

God, I have missed that laugh.

Has it been hours?

Days?

Years?

“Did you make it?” I ask.

She looks at me.

And somehow I know.

Maybe I don’t know.

Maybe dying men are allowed one lie.

But somewhere beyond this room, beyond Gurgaon, beyond K. P. Yadav and his men, I can see her walking.

Not running.

Walking.

Nobody following.

Nobody waiting outside.

Nobody asking permission on her behalf.

Raha.


“Don’t you hate these uncomfortable silences?” I ask.

“What?”

I laugh.

She still doesn’t get it.

Even in my hallucinations my jokes fail.

Some things survive death.

“You know,” I tell her, “I used to stand on that bridge.”

“I know.”

“No, you don’t.”

“I know everything. I’m in your head, idiot.”

Fair point.

“I wanted to jump.”

“I know.”

“I thought dying would make me free.”

“And?”

I look around.

Yadav is somewhere in the room.

His men too.

Perhaps they are still hitting me.

My body has stopped reporting the details.

“And I was wrong.”

She moves closer.

“What is freedom then?”

I think about Gurgaon.

The office.

My boss.

Peter Scott.

My bike refusing to start.

The dust.

The bridge.

The house that hated me.

The girl who appeared at my door and asked me to save her.

All my life I have imagined freedom as the absence of attachment.

No responsibility.

No expectations.

Nobody who could hurt me.

Nobody I could lose.

What an idiot.

Maybe freedom isn’t having nothing left to lose.

Maybe freedom is finally choosing what is worth losing everything for.

“You,” I say.

“That’s a terrible answer.”

“I know.”

“You barely know me.”

“I know.”

“We burnt Maggi.”

“That was mostly your fault.”

“We fucked once.”

“I remember.”

“You were terrible.”

“Now I know you’re not real.”

She laughs.

And suddenly I am back on the bridge.

Ten at night.

Thousands of people crawling beneath me.

Dust entering their noses.

Cars screaming.

Gurgaon choking on itself.

I am standing on the edge again.

Except this time I don’t want to jump.

That is the funny part.

I want desperately to live.

I want another cigarette.

Another Manchester United match.

Another drink.

Another stupid appraisal.

Another burnt Maggi.

I want to know where Raha is.

I want to know what she will look like at thirty.

Forty.

Whether she will still smoke.

Whether she will remember the idiot from Gurgaon whose house she entered one night.

I want all of it.

Life.

The filthy, frustrating, disappointing fucking thing.

And precisely because I finally want it, I understand that I can let it go.

Not because death is freedom.

I had been wrong about that too.

Life is freedom.

And somewhere out there, Raha still has hers.

That is enough.


The bridge disappears.

So does Gurgaon.

Raha is still sitting beside me.

“Will I see you again?” I ask.

“No.”

At least my hallucinations are honest.

“Will you remember me?”

She smiles.

“That depends.”

“On?”

“Whether you finally learn how to make Maggi.”

I laugh.

Or perhaps I only imagine that I do.

Somewhere very far away, I hear Yadav asking me one final time:

“Where is my daughter?”

I look at Raha.

She stands.

Behind her there is no road.

No railway station.

No airport.

No city.

Nothing I can betray.

Nothing anybody can follow.

She begins walking away.

For once, I don’t follow.

And for once, nobody follows her either.

I close my eyes.

“I don’t know.”

And then I finally understand her name.

Thursday, April 30, 2020

What's this all about?

The Illusion of Meaning

There is a disillusionment that perpetually lurks beneath the surface of existence, waiting to reveal itself the moment we begin to dig.

On the surface, life appears to be a pleasant little journey, punctuated by the occasional bump. But the moment we begin to interrogate its foundations, it becomes something akin to quicksand. The deeper we delve, the further we sink. And the more desperately we struggle to find solid ground, the more hopelessly we become engulfed.

We immerse ourselves in the mundane rituals of everyday life, in the pursuit of happiness, in the comforting familiarity of routines and relationships. In doing so, we construct a protective shell, an elaborate façade through which we desperately attempt to impose meaning upon our existence. These trappings serve as a veil, concealing the fundamental meaninglessness that lies beneath.

As Sartre might have argued, life possesses no inherent meaning or predetermined purpose. There is no ultimate justification for our existence, no cosmic reason that necessitates our being here.

And therein lies the anguish.

One of the most effective ways of confronting the unbearable weight of an existence without inherent purpose is, paradoxically, to avoid confronting it altogether. We distract ourselves. Relentlessly. For life, stripped of its comforting illusions, threatens to reveal itself as an unfathomable void, one that becomes increasingly difficult to endure in the absence of distraction.

"One of the first signs of the beginning of understanding is the wish to die," wrote Kafka.

We strive for success. We accumulate wealth. We devote ourselves to charity, to helping others, to falling in love, to building families, to pursuing ambitions, to filling every waking moment with activity. These are extraordinarily powerful distractions, so compelling, in fact, that we eventually begin to mistake them for purpose itself.

And perhaps that is the most ingenious deception of all.

We convince ourselves that happiness is the ultimate objective, that fulfilment is attainable through achievement, affection, or accumulation. Yet the entire social construct of happiness begins to collapse the moment we subject it to the scrutiny of existential inquiry. For how can anything provide an ultimate meaning to life when life itself possesses none?

It seems we are condemned to a peculiar choice: ignorance or anguish.

We often wonder how someone who seemingly has everything could possibly be unhappy. But the very notion of having everything is itself an illusion. Material abundance, professional success, love, admiration, and social validation may satisfy our immediate desires, but they cannot resolve the fundamental absurdity of existence.

Indeed, when human beings have everything they once desired, they may find themselves contemplating their own insignificance with even greater intensity. When the pursuit ends, the questions begin.

Perhaps our greatest evolutionary advantage is not intelligence, ambition, or resilience, but our extraordinary capacity for distraction. It is this capacity that allows us to move through life without constantly confronting the terrifying implications of our own consciousness.

But what happens when the distractions cease to work? When achievements lose their lustre, relationships their consoling power, and ambitions their ability to propel us forward? When the elaborate machinery of meaning we have constructed begins to unravel?

We are left confronting the void we spent our entire lives attempting to escape.

"Existence precedes essence."

Sartre's proposition is as liberating as it is terrifying. We are not born with a predetermined essence or purpose. We simply exist, and whatever we become is the consequence of our choices and actions.

We are condemned to be free.

And freedom, far from being an unqualified blessing, imposes an almost unbearable responsibility. If there is no predetermined meaning, no divine blueprint, no intrinsic purpose, then the burden of defining our existence rests entirely upon us.

We are what we do. Nothing more is guaranteed. There is no hidden essence waiting to be discovered, no grand revelation that will eventually explain everything.

And yet, despite this knowledge, we persist.

We embrace the absurdity of our condition and continue running. We manufacture meaning, pursue happiness, and immerse ourselves in the very distractions whose artificiality we have begun to recognise. Perhaps not because we genuinely believe in them, but because the alternative is to confront an existence stripped of every comforting illusion.

The tragedy is not merely that life lacks an inherent purpose. It is that we possess just enough consciousness to recognise the absurdity of our condition, and just enough instinct to keep living through it.

And so we run.

Not necessarily towards something, but away from the abyss that threatens to engulf us the moment we stop.

You keep running.

And you never look back.

Tuesday, February 13, 2018

Destiny

I often wonder
how I manage to lose myself in you,
again and again.

Two wandering souls,
meandering through
the trivialities of existence,
yet hopelessly smitten.

Like a bumblebee,
intoxicated by love,
drawn irresistibly
to the queen of flowers.

I love you more today
than I did yesterday,
and tomorrow,
I shall love you more still.

Through thick and thin,
through joy and sorrow,
through all that life bestows upon us,
and all that it takes away.

I shall find myself
losing myself in you,
again and again.

Friday, January 5, 2018

The greatest game ever played in UCL

European Nights: An Ode to the Beautiful Game

Being a Manchester United supporter has spoiled me over the better part of two decades. Success was never merely an aspiration; it became an expectation, almost second nature. Winning was a habit, trophies were familiar companions, and European nights carried the intoxicating promise of glory.

But things have gone rather downhill since the great Sir Alex Ferguson finally decided to hang up his coat. An era ended, and with it disappeared that comforting certainty that United would somehow find a way.

And yet, what an era it was.

It gave us European nights of unimaginable drama, unbridled ecstasy, and occasionally, unbearable heartbreak.

There was, of course, the first great Champions League final I ever witnessed: that extraordinary evening at the Camp Nou on 26 May 1999, when Manchester United overturned Bayern Munich's lead in injury time to complete one of football's most astonishing comebacks. It was the night that cemented my allegiance to United, irrevocably and for life.

Then came Moscow in 2008. The rain, the tension, the penalty shootout, and John Terry's unfortunate slip that helped deliver another European crown into our hands. It was a night of exquisite agony and eventual redemption.

And who could forget that remarkable evening at Old Trafford in April 2003, when Real Madrid came visiting? United won 4–3 but lost the tie on aggregate. Yet the night belonged neither to the victors nor to those who progressed. It belonged to one man: the great Brazilian Ronaldo Nazário.

His hat-trick was an exhibition of footballing genius, so sublime that even the Old Trafford faithful rose to applaud him.

Those were nights that made you fall in love with football all over again.

But curiously enough, my favourite European night did not involve Manchester United at all.

There have been some extraordinary contenders over the years.

The heart-stopping miracle of Istanbul in 2005, when Liverpool overturned a three-goal deficit against AC Milan in a second half that defied reason and probability. A night destined to remain etched in European football folklore.

Or that pulsating encounter at Stamford Bridge in 2004, when Monaco survived Chelsea's spirited comeback to reach the Champions League final.

Both were magnificent spectacles.

But for me, the greatest of them all unfolded on a chilly March evening in North London.

Highbury. 8 March 2006. Arsenal versus Real Madrid.

The second leg of the Champions League Round of 16.

It was, arguably, one of the biggest European ties in Arsenal's history. A meeting with the Galácticos, first at the Santiago Bernabéu and then at Highbury, promised a spectacle worthy of the grandest stage.

And what a constellation of stars Real Madrid possessed.

Zinedine Zidane. David Beckham. Ronaldo. Raúl. Roberto Carlos. Iker Casillas. A squad whose very names evoked awe, glamour, and the aristocracy of European football.

On paper, it seemed a daunting mismatch.

Few gave Arsenal much of a chance.

But football, thankfully, has never been played on paper.

In the first leg at the Bernabéu, Thierry Henry, arguably at the absolute zenith of his powers, produced one of the most memorable performances of his illustrious career. Picking up the ball deep in midfield, he glided past Madrid's defenders with almost contemptuous ease before sliding it beyond Casillas.

The Bernabéu fell silent.

Arsenal had done the unthinkable. They had beaten Real Madrid 1–0 in their own backyard.

It was a stunning result, but only half the battle had been won.

Real Madrid were still Real Madrid. Surely, the mighty Galácticos would find a way to overturn a solitary goal deficit in the return leg.

I must confess that I had grown up despising Arsenal. In the early 2000s, they were United's fiercest domestic adversaries, the one team capable of challenging Ferguson's supremacy. Supporting Arsenal was almost sacrilegious.

But on this occasion, club rivalries seemed strangely irrelevant.

This was something bigger.

Two weeks later, the Galácticos arrived in the Big Smoke.

North London had rarely welcomed a visiting contingent of such extraordinary footballing pedigree. Highbury, that intimate old cathedral of English football, was preparing to host royalty.

There was an electricity in the air.

A sense that something extraordinary was about to unfold.

And it did.

The match kicked off around 1:15 in the morning in India. I was glued to the television.

Those were different days.

There were fewer distractions, fewer screens competing for attention, fewer things demanding a fragment of your consciousness. Football commanded your undivided devotion.

And this was a night I could not have missed even if I had tried.

Los Blancos were in town.

What followed was an experience that will remain with me until my dying day.

How many goalless encounters have made your heart race, your palms sweat, and your eyes widen in disbelief?

Probably very few.

But none quite like this.

What unfolded at Highbury that night was nothing short of a footballing miracle.

The final score read 0–0. A seemingly unremarkable result, one that might ordinarily suggest a tedious evening of defensive caution.

But numbers can be spectacularly deceptive.

For those ninety minutes were anything but ordinary.

It was an unrelenting contest, a breathless succession of attacks and counterattacks, desperate tackles, moments of individual brilliance, and chances that seemed destined to change the course of the tie.

It was the very embodiment of that wonderfully overused footballing expression: end-to-end stuff.

Real Madrid came to London with a mission. They needed a goal, and they pursued it with the desperation of men who knew that anything less would be a humiliation.

Arsenal, meanwhile, refused to yield.

Their resilience was astonishing.

Alexander Hleb was magnificent, carrying the ball through midfield with an elegance and composure that belied the occasion. Against opponents of the calibre of Zidane, Beckham, and Guti, he seemed entirely at home.

Henry was at his sublime best, his movement and close control repeatedly unsettling Madrid's defence. Every time he received the ball, there was that unmistakable anticipation that something magical might happen.

At the other end, Madrid's stars refused to surrender.

Raúl struck the woodwork. Ronaldo threatened. Beckham delivered dangerous balls into the area. Robinho brought flashes of Brazilian ingenuity.

Jens Lehmann and the Arsenal defence stood resolute.

Every attack seemed capable of producing the decisive goal. Every interception felt monumental. Every missed opportunity was greeted with a collective gasp.

There was no respite.

No opportunity to look away.

No moment when the tension truly subsided.

And then came those extraordinary final minutes.

Real Madrid were throwing everything forward. Even Casillas ventured upfield in desperation, abandoning the sanctuary of his goal in pursuit of one final opportunity.

It was now or never.

The sight of a goalkeeper joining the attack is one of football's most wonderfully desperate spectacles. It signals the moment when tactics give way to instinct, when the carefully constructed architecture of a football match dissolves into pure survival.

Arsenal threatened to exploit the abandoned goal, and Madrid scrambled desperately to recover.

Even the commentators seemed to be running out of breath.

Martin Tyler and Andy Gray, two voices that had accompanied so many memorable European nights, captured the mounting frenzy of the occasion.

The entire spectacle felt almost too intense to endure.

I remember sitting there, thousands of miles away, utterly transfixed.

My heart was racing. My eyes were fixed on the screen. The distinction between spectator and participant had somehow dissolved.

I was no longer merely watching a football match.

I was living it.

And when the final whistle finally sounded, Arsenal had accomplished something extraordinary.

They had eliminated Real Madrid.

The Galácticos, with all their wealth, glamour, and collective genius, had failed to breach the defences of a young Arsenal side.

Henry and Ronaldo exchanged shirts. The players embraced. There was exhaustion, relief, disappointment, and mutual respect.

Madrid had lost, but there was something about the occasion that transcended the result.

It had been a magnificent celebration of football.

I suspect that millions of viewers across the world were almost as exhausted as the men who had spent ninety minutes battling on that pitch.

I certainly was.

Arsenal would go on to reach the Champions League final that season, only to be denied by another Spanish giant, Barcelona, in Paris.

But their journey had already given me something far more enduring than a result.

A memory.

A feeling.

An experience that no trophy cabinet could adequately capture.

Many European nights have come and gone since then. I have witnessed extraordinary comebacks, spectacular goals, breathtaking individual performances, and moments of triumph that have reduced grown men to tears.

But I am yet to experience quite the same intensity, the same unadulterated adrenaline, the same overwhelming sense of being transported into the very heart of the action.

That night at Highbury encapsulated everything the Champions League meant to me.

The glamour. The rivalry. The history. The desperation. The sheer unpredictability of twenty-two men chasing a ball, and in doing so, creating something that millions would remember for the rest of their lives.

Perhaps that is the peculiar beauty of football.

The greatest memories are not always born from victories. Sometimes they emerge from a goalless draw, from a fleeting moment of brilliance, from a desperate clearance, or from an ordinary night that somehow becomes extraordinary.

And sometimes, the most unforgettable night of your footballing life belongs to a team you spent your childhood hating.

Before I bring this nostalgic rambling to an end, a small ode to those glorious European nights.


An Ode to European Nights

It's midnight, and the world is still,
A distant bark breaks the silence at will.

Tonight belongs to the brightest stars,
To a silver cup and a thousand wars.

Where legends rise and empires fall,
Where dreams are woven around a ball.

A million hearts, a million dreams,
Beneath the floodlights' silver beams.

The ultimate glory, the ultimate pride,
Where many shall fall, and the finest survive.

And as the night begins to unfold,
The greatest stories are waiting to be told.

The stage is set, the stars take flight,
Europe is at war tonight.

Behold.

Sunday, December 3, 2017

Belitung

The afternoon had suddenly turned dark. The waves were strong enough to engulf the whole village. Far south, thunders were visible, as if they wanted to break the banks, as if there was no tomorrow. Villagers seemed unperturbed by the turn of events. Storms were friends to them. They kept sipping their teas and singing hymns

She was scared, she felt the wrath of the thunder gods. Fragile and almost weightless. She was sexy when she was weightless. 

"We should head back to our guest house. The waves are getting higher and crazier. And the wind feels like swooping me off my feet"

During most such instances, it was me who would be shying away from getting up close and personal with nature, while she would always be the fluttering butterfly, ready to melt into the realms. However today was different, there was certain defiance within me. Somehow I wanted to be part of this storm with her, within her. Somehow I was not bothered about getting soaked, or my phone getting wet, at the cost of my soul remaining dry

"Its alright, we can enjoy the rain today, lets ride around on the bike for some time before heading back. The rain is a sweet smell of promise of good times. Good times do not stay forever"

And then we got drenched till our bones. We got swooped off our feet, we rode into the storm and came out clean and dry.

We laughed and cried with the songs of the rain, our laughter melting slowly into the sound of the rain...

Tuesday, July 18, 2017

The conversation

We are entangled
In our own soliloquy
Shhhhing.. the ocean
Bereft sometimes, often smitten
Just keep holding me tight,
for all my weak moments
Rest just the night

CHHINAL

Chhinal: a woman who snatches a man who belongs to another woman, in order to satisfy her thirst, her ego or her conviction. A cell phone i...